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...dramatic, but ultimately temporary, means of ratcheting up the pressure on their hard-line rivals. Indeed, both sides are chipping away at each other's coalitions and power bases, laying the groundwork for a compromise that will be acceptable to all - except, perhaps, to the radicalized, and still energized, youth on the streets of Tehran...
...rides around town. My best moment was tailing a tiny electric car, presumably with a smug environmentalist behind the wheel, on a narrow road. I considered following him all the way home and leaving a note on his windshield: "Nice ride, volt guzzler!" But remembering the hubris of my youth, I opted instead to keep my eyes on the road...
...beltway experience, and it shows. The narrative stays tightly focused on candidates and political issues almost to a fault - glossing over the broader cultural momentum that helped propel Obama to a decisive win. There is no mention of Will.i.am's viral "Yes We Can" music video that galvanized youth support, or of Shepard Fairey's ubiquitous "Hope" graphic, which lent the candidate street cred and fed the perception that he hovered above conventional politics. The authors mention Tina Fey's Saturday Night Live impression of Sarah Palin, but don't convey the damage it inflicted by so deftly portraying...
...capital's only skate park is a rare refuge for some of the country's restless and burgeoning youths, allowing them to congregate without being harassed by the feared Basij militia. Under President Mahmoud Ahmadinejad's rule and particularly since the disputed June 12 election, when thousands of angry teens and 20-somethings took to the streets, the religious police have cracked down on this sort of rebellious youth culture, driving it further underground. "These artists are at the same level as those in the West, but they're working under the most incredible pressures," explains an Iranian electro-music...
...postelection crisis has rallied Iran's rebellious youth as well as its street artists, albeit in furtive and risky situations. Graffitists hurriedly stencil their graphics in out-of-the-way alleys (for example, to mock the regime's insistence that foreign agents helped foment the street protests, a noted brother duo sprayed "God Save the Sk8" against a British flag). Break dancers and techno producers must be content performing in cramped basements and villas outside the capital. Nonetheless, the mere existence of these cultural jammers is a form of protest...