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...headlines as much for who he was as for who he is. Freston, the new co-president of media giant Viacom, had been chairman and CEO of MTV Networks, whose MTV, Nickelodeon and Comedy Central channels make it the lifeline to the youth market. One of Freston's missions from Viacom boss Sumner Redstone is to freshen the image and, more important, goose the profits of Paramount Pictures, the most geriatric of the Hollywood studios. So when the company's new Mr. Big showed up at the iconic indie-film festival, media types saw it as a signal of revolutionary...

Author: /time Magazine | Title: Can This Man Save Paramount? | 2/21/2005 | See Source »

...deal, for MTV Films to purchase the rights to Hustle & Flow, the inspiring tale of a Memphis street dude with rap-star dreams (think Rocky, except that he's a pimp). Industry savants saw that buy as a clue to the new direction. Freston was the face of triumphant youth culture--the kid whose stuffy parents have handed him not just the keys to the car but their credit cards and the deed to their home...

Author: /time Magazine | Title: Can This Man Save Paramount? | 2/21/2005 | See Source »

...Benegal listed a prodigious number of influences, ranging from American directors like Billy Wilder and John Ford to the French nouvelle vague and Italian Neo-Realists, from the works of Tarkofsky, Eisenstein and other Russian filmmakers—which were easiest to come by in his youth, he explained—to Kurosawa and, perhaps most importantly, Satyajit Ray, the director credited with founding the Indian “Parallel Cinema” of which Benegal is a self-proclaimed practitioner...

Author: By Moira G. Weigel, CONTRIBUTING WRITER | Title: Indian Epic Focuses on Gandhi's Rival | 2/18/2005 | See Source »

Duff SistersHilary performed at George W. Bush’s inauguration youth concert...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Duff Beer vs. Duff Sisters | 2/17/2005 | See Source »

...Benegal listed a prodigious number of influences, ranging from American directors like Billy Wilder and John Ford to the French nouvelle vague and Italian Neo-Realists, from the works of Tarkofsky, Eisenstein and other Russian filmmakers—which were easiest to come by in his youth, he explained—to Kurosawa and, perhaps most importantly, Satyajit Ray, the director credited with founding the Indian “Parallel Cinema” of which Benegal is a self-proclaimed practitioner...

Author: By Moira G. Weigel, CRIMSON STAFF WRITER | Title: Indian Epic Focuses on Gandhi's Political Rival | 2/17/2005 | See Source »

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