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...YSA spokesman last night blamed "Imperialists from Belgium and the United States" for Lumumba's death. The picketers, he said, will try to gain supporters for the anti-imperialist and pro-Lumumba movement in the Congo...

Author: NO WRITER ATTRIBUTED | Title: YSA Will Protest Lumumba Death | 2/28/1961 | See Source »

...than 50 concert appearances. The second and third prizewinners would do almost as well, and even the next nine would reap fair-sized consolation prizes. As the finger-wringing elimination concerts wore on, contestants fell by the wayside under the demands of such compositions as a Vieuxtemps concerto, an Ysaÿe sonata, and a collection of "transcendentally difficult works...

Author: /time Magazine | Title: Music: And Then There Was One | 6/6/1955 | See Source »

...featuring the famed clients, past & present, of famed Impresario S. (for Sol) Hurok. The picture offers such flesh & blood talents as Tamara Toumanova, Isaac Stern, Roberta Peters, and the sound-track voice of Jan Peerce. It also fondly recalls such historic Hurok clients as Anna Pavlova. Eugéne Ysaÿe and Feodor Chaliapin...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

Tonight We Sing is at its slickly Technicolored best when it makes music. As Russian Ballerina Anna Pavlova, Toumanova dances the famed Dying Swan. As noted Belgian Violinist Eugéne Ysaÿe, Isaac Stern plays a Wieniawski Concerto and Sarasate's Ziegeunerweisen. As Basso Feodor Chaliapin, Ezio Pinza, in a blond wig, swaggers off with the show by giving a lustily humorous performance and singing snatches from Mussorgsky's Boris Godunov, Gounod's Faust, and a chorus of The Volga Boatman. These latter-day artists offer an earnest approximation of the originals. David Wayne, using...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 2, 1953 | 3/2/1953 | See Source »

After the intermission, he fiddled even more brilliantly, melting the audience with his interpretations of Chausson, Tchaikovsky, Saint-Saëns and Ysaÿe. He took eight more curtain calls, played three encores. The critics next day were equally enthusiastic. Glowed La Nazione Italiana: "A tremendous violinist. His tone is of exceptional power . . . His left hand has the agility of a rope dancer...

Author: /time Magazine | Title: Music: Italian Conquest | 7/9/1951 | See Source »

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