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...orchestra, many singers fail to take advantage of it. Katisha (Marcia Ragonetti) had one of the best voices in the company, but she was miscast if she wasn't willing to put aside some of the beauty of her voice and simply bellow out her lines. And Yum-Yum (Deborah Shaw) was clearly inadequate in places--she sang sweetly, but without sufficient strength. Most of the others were better suited to their roles--Ko-Ko (Dennis Crowley), Lord High Executioner, was the most enjoyable portrayal of the production; Crowley wrung the most drama out of his role, remembering that Gilbert...

Author: By Paul K. Rowe, | Title: Trouble in Titipu | 12/11/1974 | See Source »

...commanding stage presence, and Andrea Goodzeit provided both of these. Her voice had a pure yet vibrant timbre which eclipsed all of the other singers. She is a fine stage actress as well as a singer, and her demeanor was well suited to the role. similarly, Deborah Ward, as Yum-Yum, the child bride, had complete control of the character, although her voice was at times weak...

Author: By Michael Ryan, | Title: Operettas The Mikado at Agassiz Theatre April 17-19; 23-25 | 4/18/1970 | See Source »

...tune in a news broadcast: "Presenting SCANALYZER. Engrelay Sateiserv's unique thrice-per-day study of the big scene, the INdepth INdependent INmediate INterface between you and your world! . . . Counting to one after one poppa-mommafor that good old Eastern Standard tie-yum . . . (Clock Cue 5xl1-sec. pips on G in alt., minute signal...

Author: By Garrett Epps, | Title: Sci-fiLight Years Away | 12/15/1969 | See Source »

Most of the time, though, he steals from Colgate-smile comedies. His sexy red bed--television, music, and massage at the flick of a switch--comes straight out of The Yum Yum Tree. In both movies, Jack Lemmon and Sellers play second banana to mechanical gadgets...

Author: By Joel Demott, | Title: The Bobo | 8/15/1967 | See Source »

...rest of the cast, at least through the first act, supported these two quite well. Michael Campbell as Nanki-poo and Deborah Strong as Yum-yum made clear voiced, well coordinated lovers, and Nancy Sproul's contralto Katisha was vibrant, if somewhat unintelligible when she didn't face the audience. Although the women's chorus was weak, they were offset by an orchestra that finished splendidly. The pace was much too slow in the second act--perhaps because everyone was a little tired from the fun that preceded...

Author: By T. JAY Mathew:, | Title: The Mikado | 12/10/1965 | See Source »

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