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Hong kong film people have a well-earned rep as the hardest workers in show biz. In the mid-'80s Chow Yun-fat made a dozen pictures a year. But now that the local industry is crawling out of a post-'97 abyss, in which Hollywood films ruled while the home team slumped, it's almost unfair that one man should be hogging the box-office receipts and the critical laurels...

Author: /time Magazine | Title: Fulltime Filmmaker | 9/3/2001 | See Source »

...pinwheel of compelling, eccentric movie ideas. In the '80s they had worked together at tvb, Hong Kong's highest-rated channel. (That's also where To meet his wife Paulina; they have been married for 23 years.) Wai made his directorial debut in 1995 with Peace Hotel, a Chow Yun-fat Eastern Western whose bold, dusky style seemed indebted equally to Woo, Sergio Leone and Wong...

Author: /time Magazine | Title: Fulltime Filmmaker | 9/3/2001 | See Source »

...Tsui said, "That's unfair to him, I think. It's unfair to me too--he's so rich." Film Workshop, which he founded in 1984, quickly became the Amblin of Hong Kong. Four of its films became terrific franchises: A Better Tomorrow (the action epic that made Chow Yun-fat a superstar and John Woo a world-class auteur), A Chinese Ghost Story (a magical romance with Leslie Cheung), Swordsman (whose two sequels displayed Brigitte Lin in all her pansexual glory) and Once Upon a Time in China (which brought Hong Kong stardom...

Author: /time Magazine | Title: He Makes Movies Move | 5/14/2001 | See Source »

...Hollywood. However, Hong Kong film output has decreased dramatically in recent years along with declining box office receipts due to factors such as the Asian economic recession, rampant piracy and concern over the island’s new relationship with the Mainland. Megastars like Jackie Chan and Chow Yun-Fat have abandoned ship and washed ashore in America, leaving a smaller pool of talent to cope with an ever-growing crisis. Hollywood movies have overtaken local product at the box office, as Chinese audiences tired of cheap, Cantonese-language knock-offs now devote their loyalty and their ticket dollars...

Author: By Marcus L. Wang, CONTRIBUTING WRITER | Title: Cruising The 'Skyline' In Style | 4/20/2001 | See Source »

...after "Chocolat" and "Dancer in the Dark" are forgotten. Oh, sorry, they already are. But we were happy to see a handsome Asian contingent, including presenters Michelle Yeoh (come on, Hollywood, find a juicy role for this accomplished ravisher) and her "Crouching Tiger" co-star, the suavely unintelligible Chow Yun-fat. And to hear Peter Pau, Cinematography winner, zip through 37 names, most of them Chinese, in a 50- second acceptance speech...

Author: /time Magazine | Title: Crouching Traffic, Hidden Winner | 3/26/2001 | See Source »

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