Word: yves
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Dates: during 1970-1979
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Long and Longer. But, as so often in the past, it was Yves St. Laurent whose literally dreamy collection drew the week's top applause. Soft voiles, crepes and chiffons fitted tightly over the bosom, fluttered into pleats at the hips; gently fitted shirt-coats unbuttoned to reveal sinewy sheaths; appliques, borrowed from Matisse collages, formed butterflies on blousy knickers, birds in flight on a blue suede coat. The St. Laurent way for evening: sheer silk chemises, re-embroidered with tiny seed beads or baby sequins, delicate as veils and every bit as enticing...
Petit's extravaganza is a lush mixture of Now and Then. His dancers, tricked out in crushed-velvet pantsuits by Yves St. Laurent, open with the springy "L'Amour du Métier" (The Love of Show Business). As they sing, they flit in and out of a flashing construction of steel tubes designed by the Venezuelan painter Jesús Raphael Soto. Then the Tiller Girls, 16 bright British birds whose forebears were the original inspiration for the Radio City Rockettes, descend from the ceiling in sentinel boxes. Their number is followed by blonde-wigged nudes...
...contemporary New York. Arnold Scaasi designed her knockout New York wardrobe; Cecil Beaton did her up for the London sequences. What more could a girl want, except maybe a movie? Instead, she has Scenarist-Lyricist Alan Jay Lerner's drab romance of Daisy and Doctor Marc Chabot (Yves Montand). The girl's especuliarities drive Chabot mad-do you hear?-mad, mad, mad! But ultimately he learns that scientists must leave the infinite alone, and Daisy goes back to her star-playing lover Tad Pringle (Jack Nicholson...
...leap without a net. "A diploma can't get you work in the theater," she decided. "But a part can." It did. She took parts with a repertory company and caromed around Europe. In Paris, Director Alain Resnais was looking for a young girl to co-star as Yves Montand's adolescent amour in La Guerre Est Finie. Geneviève transferred from the Parisian television screen to the film scene without missing a cue. She appeared opposite Alan Bates and Jean-Paul Belmondo, once as a madwoman, then as a spoiled heiress. The parts pinched...
Couturiers were the first to be charmed. Yves Saint Laurent showed a staggering array of snakeskins in his most recent collection, which featured a line of python-printed chiffon dresses (Mme. Pompidou took hers to Chicago last month and wore it with a gold ser pent belt). Givenchy's snaky stretch-wool suit is already being copied, scale for scale, and London Designer Jean Muir has a whole group of satin separates, all slithery with the python pattern. America's Adele Simpson and Bill Blass have embossed the markings onto vel vet and chiffon; Halston has gone...