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...expected, Yves Saint Laurent and Christian Dior's Marc Bohan shared center stage in presenting haute couture to the class of '78. Their message was wel come to those grown weary of gypsy dresses and the theatrical costuming that has flavored European fashion for the past three seasons. The feminine form is back, in clothes that are clean-lined, uncluttered, soft and supple. Today's couture, said Bohan, "is a return to simplicity...

Author: /time Magazine | Title: Living: It's Springtime in Paris | 2/6/1978 | See Source »

...difficult task was accomplished well and with considerable sensitivity. There are many workers in America, Britain, France, Africa, Asia and other places who were not mentioned in the story, and I would not wish them to believe that they were forgotten. As one of the leading French anthropologists, Yves Coppens, said to me, "It is a pity we could not all be mentioned, but it is enough that the subject we are a part of has warranted the status of a TIME cover...

Author: /time Magazine | Title: Letters, Dec. 19, 1977 | 12/19/1977 | See Source »

...action of Goretta's film begins when Marilyn takes Pomme to Normandy for a holiday. Marilyn soon moves in with an American tourist, while Pomme, left at home, meets Francois (Yves Beneyton), a Parisian student, and falls in love with him. Together, they go back to Paris and rent an apartment. Finding Pomme unable to meet his intellectual demands, Francois soon becomes bored with her, and they ultimately break up. Pomme suffers a nervous breakdown and enters a sanitarium...

Author: By Tim Noah, | Title: An Ode to Innocence | 11/18/1977 | See Source »

...Reggie Jackson of Paris was Yves St. Laurent, who once again batted homers all the way to Bloomingdale's, Benders and Bergdorf s. But it was a markedly different Yves. Said he: "I have found a new form of simplicity." Turning his back on Cossacks and gypsies, he drew his inspiration from "the streets of New York." One YSL eyecatcher: a tricolored cotton shirt worn with sailcloth pants. His ready-to-wear clothes were modern, young and?with one or two see-through and derriere-baring exceptions?eminently wearable on Manhattan's avenues. That?if not his prices...

Author: /time Magazine | Title: Living: Put-Ons, Take-Offs and Dress-Ups | 11/7/1977 | See Source »

Stripped down to its essentials, The Lacemaker resembles dozens of tearjerkers about doomed, poor-meets-rich love affairs. The heroine, Pomme (Isabelle Huppert), is 18, a shy attendant at a Paris beauty salon. The hero, François (Yves Beneyton), is a bookish university student from a proper bourgeois family. The two come together while vacationing in glorious Normandy, then return to Paris and set up house on the Left Bank. There the innocent, star-crossed romance suffers a heartbreaking fate at the hands of the cruel real world...

Author: /time Magazine | Title: Cinema: Dark Fabric | 11/7/1977 | See Source »

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