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...story about submersibles (see SCIENCE), the TIME team followed trails that led through Louisiana swamps, experimental labs, shipyards and under the surface of two oceans and the Gulf of Mexico. Among the special equipment they used, the most important item was an underwater camera designed by Marine Explorer Jacques Yves Cousteau, now made by Nikon and sold under the name Nikonos. It is the first camera sealed to function under water without special waterproof housing...

Author: /time Magazine | Title: A Letter From The Publisher: Jan. 19, 1968 | 1/19/1968 | See Source »

...UNDERSEAS WORLD OF JACQUES-YVES COUSTEAU (ABC, 7:30-8:30 p.m.). First of a series of scientific-adventure specials filmed by Captain Cousteau under the world's major oceans during a five-year oceanographic expedition. For this week's feature, "Sharks," Cousteau's crew probes the Red Sea, Indian Ocean and Gulf of Aden, studying the fish and ways to protect downed flyers and shipwreck victims from them...

Author: /time Magazine | Title: Television: Jan. 5, 1968 | 1/5/1968 | See Source »

...flashbacks and quick montages of thoughts and objects are inserted, reaffirming Resnais' flair for visual stream of consciousness. Where Hiroshima Mon Amour used mostly flashbacks, La Guerre Est Finie's inserts are mostly flash-forwards: fears and premonitions of Diego, the middle-aged Spanish revolutionary, played so magnificently by Yves Montand. In sight and Sound, Tom Milne describes Diego as caught between two worlds "in more ways than one: between Spain and France, between youth and age, between the old Spain of the International Brigade and the new one of tourist paradises, between his settled love for Marianna...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

...border between sentiment and sentimen tality. In Live for Life, he crosses over the line - and back into the land of the Woman's Picture, where men must wander and ladies must weep, alone. The movie's hero is a bored, lecherous French television reporter (Yves Montand) who perpetually roams from his aging wife (Annie Girardot) on journeys to the Congo or the Orient, searching for stories. Though he apparently has his pick of every female in Paris, Montand eventually limits his love life to two: Girardot and a beautiful but blank American model (Candice Bergen). Considering...

Author: /time Magazine | Title: Cinema: Live for Life | 12/29/1967 | See Source »

...high-fashion designers and shops want to climb aboard. Cardin has proclaimed: "Brown has class; it lends an air of distinction." Yves St. Laurent's bestsellers have turned out to be a brown tweed suit with cape and brown velvet evening ensembles. "Brown is such a beautiful color for winter," says French Vogue Editor Francoise de Langlade de La Renta. "So warm, so wonderful against a tanned skin." In Rome, after her trip to Cambodia and Thailand, Jacqueline Kennedy promptly placed an order with her favorite Italian designer, Valentino. Her choice: a wool crepe Mao shirt and matching skirt...

Author: /time Magazine | Title: Fashion: How Now? Brown | 11/24/1967 | See Source »

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