Word: zackheim
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Perhaps the most interesting interpretation belongs to Alan D. Zackheim ’06, who plays the dual roles of Old Gentleman and Girl’s Brother. “The show itself is in a lot of ways a reflection of Ben Margo’s personality,” says Zackheim. “A lot of his sense of humor, things that he doesn’t necessarily expect the audience to get but just finds really awesome, he’s more than happy to throw into the show...
...Early on in the process, rehearsal on any given evening can be up in the quad or down by the river or in some of the rehearsal rooms at HRDC, so you’re always transposing this idea of a set around with you,” says Zackheim. “It’s always one of the big frustrations that all college theater...
However, the participants assert that the transition has been natural, if a little hectic, and their faith in Ben Margo’s direction is evident. “He’s really interested in creating the piece that he wants to create,” says Zackheim of Margo’s vision. “It’s not his goal to try to please anybody...
Both Ur and Sherwood also point out that requiring HRDC members to work on other productions throughout the semester has opened up more avenues for contact, and in some cases, has helped create ties for future working relationships. Zackheim says he enjoys becoming part of a new cast and crew when he works towards his tech requirement. “It’s more a chance for the people in the limited world of Harvard theater to interact and co-mingle with each other,” he says...
...show’s acting is pretty good—making it a real shame that the actors spend so little time engaged in it. As Faust, Alan Zackheim ’06 shows able delivery, although he appears emotionally neutered in some of his scenes, particularly in those with Gretchen. Malaika Butoyi ’05 shows range by convincingly playing, in succession, a dry academic, a sexy starlet, and an imprisoned madwoman; her skill is such that she even manages to make the madwoman’s insanity touching. As Mephistopheles, Aoife Spillane-Hinks...