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Word: zamindars (lookup in dictionary) (lookup stats)
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...exposes the fallacy of the claim that everyone can be rich and successful provided they work hard. He points to the millions who work themselves to the bone and still remain hungry. He preaches the gospel of leveling down, of emulating the kisan (peasant), not the zamindar (landlord), for "all can be kisans, but only a few zamindars...

Author: /time Magazine | Title: The Sacred Warrior | 12/31/1999 | See Source »

...greased, grotesque man of the sort who scorns religion by spitting in the holy water. The action is ineluctable, the outcome foregone and well-augured. The end is a wild, terrible gallop. The old horse rears to avoid running onto the bow of an abandoned boat and the Zamindar falls, his prized blood dampening the sand...

Author: By Charles F. Sabel, AT THE BRATTLE UNTIL SUNDAY | Title: The Music Room | 5/3/1967 | See Source »

...last his credit ran out and his estates were sold. To finance a final fling in the music room, the zamindar sold his wife's jewels. His wife and son were visiting her family at the time, but he insisted that they pack up and come home for the affair. On the way down the river they were caught in a whirlpool and drowned...

Author: /time Magazine | Title: Cinema: A Tragedy of Pride | 9/13/1963 | See Source »

...tragedy of the zamindar Director Ray involves much more than the ruin of one man. He is a skillful social satirist, and he contrives sardonic contrasts between the haughty old-rich and the pushy new-rich. He is a gifted graphic artist in whose visions the physical and the metaphysical converge-late in the film, the music room, the locus of disaster in the zamindar's life, is suddenly unshuttered and exhales into the pallid twilight a black flock of bats that flutter soundlessly above the old man's head like powers of darkness portending his death...

Author: /time Magazine | Title: Cinema: A Tragedy of Pride | 9/13/1963 | See Source »

Above all, Director Ray is a teller of tales, a Bengali Balzac who envisions personal tragedy as a part of the human comedy, who can see the universal in the unique. He has created in the zamindar a character both peculiarly Indian and profoundly human, a man who would not face the truth and therefore had to face the consequences. As Actor Chhabi Biswas portrays him, the zamindar is a seething complex of contradictions: arrogant yet sensitive, pigheaded as well as lionhearted. He is a fool but there is something magnificent in his folly, and even at his most fatuous...

Author: /time Magazine | Title: Cinema: A Tragedy of Pride | 9/13/1963 | See Source »

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