Word: zandt
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Dates: during 1950-1959
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...technical aspects of the production are at least on the same level as the acting. The costumes, designed by Leslie Van Zandt, are strikingly varied and little short of beautiful. John Ratte's setting is simple but well adapted to the various places it represents, while the original music by Stephen Addiss acts as an effective bridge between scenes...
...suspect many people could not read the legends flashed on a high screen but with the clarity on stage below, this should have caused no confusion. John Ratte's settings were unusual, even for the College, where good sets have been the rule in most productions. Leslie Van Zandt's costumes also added to the general aura of professional quality. General Manager Thomas Merriam, Stage Manager Ricardo de la Espiriella, and Technical Director Donald Tashjian all deserve mention as well. Hard work had clearly gone into the production, combined with the genuine talents mentioned above...
Scott and the speakers did their jobs and Mrs. Spencer Martin directed the dance with the above results. Costumes were well done by Leslie Van Zandt, but the lighting did not help at all. That was unfortunate because it could have done very much...
...setting (John Ratte) and costumes and wigs (Lesile Van Zandt and Helen Gardiner) set the comic tone for a production that rarely slows down. By judiciously picking School for Scandal, the HDC presents a show which can hardly fail to please. Sheridan may have been more entertaining in past productions; the HDC rarely...
Also deserving special recognition were the costumes by Leslie Van Zandt and the make-up by Jack Stein. Both were rich in concept and boldly executed. Caldwell Titcomb's music is also excellent, almost covering the tedium of a few scenes...