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Word: zandt (lookup in dictionary) (lookup stats)
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...Triple jump--1. Henry (H) 14.50m; 2. Udo (H), 3. Hall (H). javelin--1. Cooper (D) 60.77m; 2. Fox (D). 3. Bower (H). Shot Put--1. Bpgdonovich (B) 15.82m; 2. Pet (D): 3. Jones (D). High Jump--Keefe (D) 6-ft 6-in; 2. Van Zandt (D) and Wirth...

Author: By Becky Hartman, | Title: Men and Women Track Teams Settle For Second | 4/19/1982 | See Source »

...beat the rock-'n'-roll life," Steve Van Zandt said the day after Lennon died. "Beat the drugs, beat the fame, beat the damage. He was the only guy who beat it all." That was the victory Mark Chapman took from John Lennon, who had an abundance of what everyone wants and wanted only what so many others have, and take for granted. A home and family. Some still center of love. A life. One minute more...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

Then Bruce and the E Street Band tore into Springsteen's own anthem, Born to Run, making it clear that playing was the best thing to do. Guitarist Steve Van Zandt let the tears roll down his face, and Organist Danny Federici hit the board so hard he broke a key. By the second verse, the song turned into a challenge the audience was happy to accept: "I wanna know love is wild, I wanna know love is real," Springsteen yelled and they yelled back. By the end, it sounded like redemption John Lennon knew that sound...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

...season, a terrific broadside of roadhouse rock 'n' roll performed at white heat by Singer Southside Johnny Lyon and the hard-driving Jukes. The album includes a couple of original Bruce Springsteen tunes and a stunning ballad, Light Don't Shine, by Steve Van Zandt. Save Hearts of Stone for New Year's, then kick out the jams...

Author: /time Magazine | Title: Music: The Pick of the Holiday Season | 12/18/1978 | See Source »

...rock to Olympian heights. The driving delicacy of Roy Bittan's piano, Danny Federici's flights of rough-and-tumble fantasy on the organ, and the hang-tough beat of Max Weinberg's drums, Garry Tallent's sinuous, serpentine bass lines and the roistering guitar of Miami Steve Van Zandt form the firm foundation. The wailing, extravagant sax solos by Clarence Clemens cut jolting, joking arabesques around the Boss's lead guitar and vocals, which are the main attraction, and the most seismic in the business...

Author: /time Magazine | Title: Music: Cruising Through the Darkness | 8/7/1978 | See Source »

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