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That brutal finale made Salinger a sensation in literary circles. By that time Salinger, too, was becoming a man who could not abide the world. The producer Darryl Zanuck bought the screen rights to another of Salinger's New Yorker stories, "Uncle Wiggly in Connecticut," about a suburban housewife who dissolves into self-pity during an afternoon of drinking with an old school chum. Zanuck had it rewritten as a throbbing melodrama with Susan Hayward that was released under the title My Foolish Heart. The whole thing made Salinger cringe...

Author: /time Magazine | Title: J.D. Salinger Dies: Hermit Crab of American Letters | 1/29/2010 | See Source »

...been commuting between French films and Hollywood-financed ones for a few years before Lawrence. He graduated from short films (for Alain Resnais and Jacques Demy as well as Franju) to international employment with the 1960 doppleganger mystery The Crack in the Mirror; perhaps writer-producer Darryl F. Zanuck had been impressed by Jarre's scores for the early Franju features. Zanuck used him for two other Fox films, The Big Gamble and his D-Day superproduction The Longest Day. But it was not this work that led Jarre to Lawrence; it was his music for Serge Bourguignon's Sundays...

Author: /time Magazine | Title: Epic Composer Maurice Jarre Dies at 84 | 3/30/2009 | See Source »

...copy into Time-speak, with its backward-running sentences, space-saving but eye-irritating ampersands ("now & then"), capitalized job designations and film references shoved in as nicknames - "Director Elia (Gentleman's Agreement) Kazan" - often with the job title crushed into a compound cuteism ("Cinemactor Sessue Hayakawa," "Cinemogul Darryl F. Zanuck"). I assumed that, when Manny left the place, he felt well...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...When called by Congress to testify about his early membership in the Communist Party, Dassin skipped to London, where Fox production chief Darryl Zanuck let him shoot the Brit-noir Night and the City. It stars Richard Widmark (who died, also in his 90s, a week before Dassin) as an American tout aiming for the big score, then fleeing from its consequences. In his goon period, with that weird smile (his upper lip raised as if by invisible fish hooks), and outfitted in a checkered jacket so loud it practically barks, Widmark is the perfect sucker in a nightscape made...

Author: /time Magazine | Title: Master of the Heist | 4/6/2008 | See Source »

...theater bug at Illinois' Lake Forest College and stayed on to teach acting. From 1943 to 1946 he appeared in five Broadway plays, none lasting as long as four months, before coming to Hollywood. Director Henry Hathaway thought the actor too clean-cut to play Udo, but Darryl Zanuck, the boss of 20th Century-Fox, detected psychological turbulence beneath Widmark's stark, chiseled features, and the role was his, for life. It earned him the sobriquet "the face of film noir" and his only Oscar nomination...

Author: /time Magazine | Title: Richard Widmark: Screen Goon, Real World Gent | 3/26/2008 | See Source »

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