Word: zanuck
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Dates: during 1960-1969
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Raquel had less fun in her celebrated confrontation with Jim Brown in 100 Rifles. She reportedly called Brown "a convict" during a tantrum in Fox Vice President Richard Zanuck's office. On location, Brown did little to smooth the situation, which took on unfortunate racial overtones. At lunch he growled at her: "Pass the salt; it isn't black." She and Brown finally stopped talking altogether. The picture was execrable. But it cost only $6 million and raked in money. Another south-of-the-border oater, Bandolero, gave Raquel the opportunity to demand of Dean Martin, "How duss...
...calf luggage? Those who would-and do-constitute the glittering clientele of Gucci, the Florentine leather company that offers fancy quality at fancy prices. Before flying off to wed Aristotle Onassis, Jacqueline Kennedy stopped at Gucci's Manhattan shop to select a brown crocodile handbag. Darryl Zanuck had Gucci copy his favorite 30-year-old valise, and Capucine bought a leather dog carrier. Frank Sinatra recently sent his secretary to pick up a pair of moccasins. Other regular patrons include Rothschilds and Rockefellers, movie stars and magnates from several continents...
Darryl F. Zanuck seized control of 20th Century-Fox in 1962 after a lot of nasty infighting; in five years he and his son Richard turned a single-year loss of $39.8 million into a single-year profit of $12.5 million. Success, naturally, bred envy. And envy gave rise to tales of dirty dealing, venality and grossness. Two years ago, the company gave the run of the lot to a freelance writer, John Gregory Dunne. Dunne could attend any meeting, drop in on any set. He would learn the truth, and the truth somehow would set 20th Century-Fox free...
...Dunne's telling, Production Chief Richard Zanuck reveals himself as tough, sometimes crass, but possessed of incredible patience. In one fabulous scene, he appears as the New Hollywood haunted by the Old Hollywood, which comes on as a fond, hapless parody of itself. Confronting him in his office are three William Morris agents and a portly director named Henry Koster, who wants to match a 1937 Koster triumph (Deanna Durbin and Leopold Stokowski in A Hundred Men and a Girl) with a new musical concoction. Koster outlines the story. A touring symphony orchestra is about to return...
...afraid it's not for us at the moment," says Zanuck smoothly. "We've got a lot of musical things on the schedule right now." After Koster and his entourage leave the office, Zanuck sits lost in thought, silently chewing on a fingernail. "Jesus," he says finally...