Word: zapata
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...powerful of Mexico's Big Three.* For his contemporaries, Orozco's work caught the spirit of Mexico, bloodied and in ruins, emerging from eleven years of brutal class warfare triggered by the Revolution of 1910. They are all there in his paintings, the heroes of the revolution: Zapata, Pancho Villa, Carranza, and the armed peons marching off to war. Their faces are shrouded by their sombreros, or they are often seen from the back, the anonymous masses, the revolution's avengers and its victims...
...himself, explaining to the reader "Platz means place in Jewish and German. It also means to burst." "The Mexican Pony Rider" is also a pseudonym; behind it, an unnamed juvenile delinquent prowls Manhattan, fancying himself a blend of pony-express rider ("Nothing bugged them") and Marlon Brando in Viva Zapata! These formless reveries might make source material for an analyst, who is paid to listen...
This large, crude, simple vision may be vaguely familiar to those who remember Paul Muni as Juárez, Wallace Beery as Pancho Villa, or Elia Kazan's Zapata, which had Judases aplenty and Marlon Brando on the same white horse that tourists can see in Rivera's mural in the National Palace. A novelist has more trouble than the makers of film epics. In this case, Fuentes has had to package the whole corpus of Mexican history into the dying body of a septuagenarian symbol named Artemio Cruz...
...written more than 200 scores. Leonard Bernstein's On the Waterfront and Alex North's Streetcar Named Desire were part of the same revolt. The Third Man's zither score had an insistent, mechanical inevitability that suggested a man out of control of his fate. Viva Zapata! rang with the violent sound of revolution, and Breakfast at Tiffany's, for which Henry Mancini wrote one of the best film scores ever, was lighted with a sweet ambiance that had the very taste of caviar...
...Latin American reformer talking, and he will begin reciting the region's needs almost by rote: schools, houses, hospitals - and, always, land reform. As his example of land reform, he invariably points to Mexico, where land and liberty, tierra y libertad, was the war cry of Emiliano Zapata when his peasant army sacked the giant haciendas and occupied Mexico City in the bloody 1910 revolution. In those days, 835 rich families controlled 97% of the country's cultivated land. But not for long. In 1913, leading a band of armed riders, Revolutionary Major Lucio Blanco seized...