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Screenplay by CESARE ZAVATTINI...

Author: /time Magazine | Title: Cinema: A Quiet Ending | 3/10/1975 | See Source »

...that is left unclear. But it is certain that De Sica's last collaboration with his old colleague Cesare Zavattini is a wise, delicate and moving work, a worthy ending for an extraordinarily valuable career. ∎Richard Schickel

Author: /time Magazine | Title: Cinema: A Quiet Ending | 3/10/1975 | See Source »

...finest film in the area this weekend is probably Bicycle Thief (1949, by Cesare Zavattini and Vittorio de Sica), at Currier. The understatement and visual beauty of this film underscore a simple drama: an Italian workman and his small son search Rome after a bicycle thief steals the bicycle on which the man's job depends. The amateur actors (a factory worker and a working class boy) playing lead roles are really a joy to see. This was the first major film to use amateurs, and their performances seem almost effortlessly effective. When de Sica and Zavattini approached American film...

Author: NO WRITER ATTRIBUTED | Title: the screen | 10/11/1973 | See Source »

Woman Times Seven is an ill-advised attempt to improve upon the mathematical formula of Yesterday, Today and Tomorrow. In that film, Sophia Loren played three women; in this one, Shirley MacLaine plays seven. Both movies employed the same director (Vittorio De Sica) and scenarist (Cesare Zavattini), inviting an unfortunate comparison. Shirley is no Sophia, although even Loren would have had trouble with these amateurish anecdotes...

Author: /time Magazine | Title: Cinema: 7X1=0 | 6/30/1967 | See Source »

...Roof (Italian). A story of love and squalor in equal measure, directed and written by two of Italy's most formidable neorealists, Vittorio De Sica and Cesare Zavattini...

Author: /time Magazine | Title: CINEMA: Time Listings, Jun. 22, 1959 | 6/22/1959 | See Source »

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