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Word: zefferellis (lookup in dictionary) (lookup stats)
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There's something rotten in Denmark but, surprisingly, it isn't Mel Gibson as Hamlet. It's director Franco Zefferelli's abbreviated version of this brooding Shakesperean tragedy. Glenn Close and Helena Bonham Carter are splendidly tormented...

Author: NO WRITER ATTRIBUTED | Title: Quick Flicks | 2/21/1991 | See Source »

...What Zefferelli and Prokoviev did to Romeo and Juliet, Vincenzo Bellini did earlier. Bellini, an Italian composer of the early nineteenth century, found arias where Prokoviev later discovered pas de deux. The opera, I Capuletti e I Montecchi, according to Loeb p.r., is marked by "intriguing departures from the original plot to produce a reinterpretation of Shakespeare's timeless theme," The Capulets and Montagues return to their original Italian from Shakespeare's English in the early May production at the Loeb...

Author: By Shirley Chriane, | Title: STAGE | 2/9/1977 | See Source »

...Taming of the Shrew. Burton and Taylor in happier, if fatter, times. Franco Zefferelli directed this lush adaptation of the Shakespeare comedy, and the transition from stage to screen is a ribald, rousing success. The still beautiful Taylor and the seething, brutal Burton swagger through the film with consummate ease, and one suspects this is because they have played the same roles for real. Channel...

Author: NO WRITER ATTRIBUTED | Title: television | 7/6/1973 | See Source »

...forced to accept the love affair on faith alone. Antonioni's decision to substitute physical beauty for acting ability leaves us outside as simple voyeurs. We logically understand what they can feel for each other, but they radiate nothing of their passion, the way Zefferelli's Romeo and Juliet were able to do. It is difficult to be anything but sexually aroused by either of Antonioni's characters...

Author: By Jeffrey S. Golden, | Title: The Moviegoer Zabriskie Point at the Parls Cinema | 3/5/1970 | See Source »

...scene can be slid forward onto the stage as another is hauled off to the side. (I assume that the interminable intermission waits at La Gioconda were due to the fact that the turntable had been broken the previous week, when the director of Antony and Cleopatra, Franco Zefferelli, loaded it with five times the weight it was designed to hold.) There are hardly any partial view seats in the new Met and the standees have padded arm rests...

Author: By Timothy Crouse, | Title: The New Met | 9/27/1966 | See Source »

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