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Corbu was to suffer a further disappointment in 1952, when the UNESCO headquarters in Paris was placed in the hands of Hungarian-born Marcel Breuer of the U.S., Bernard Zehrfuss of France, and Pier Luigi Nervi of Italy. Despite all this, Corbu was in fact entering the richest phase of his career. Plans that had been locked in his mind for years began tumbling out like coins from a treasure chest. Now came the Marseille apartment block of raw concrete (béton brut), on which the marks of the form boards were left visible. The Society for the Preservation...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

...name Les Trois who would actually design the building. The site was changed twice to placate the jittery guardians of Paris' celebrated skyline. With that act over, the U.S.'s Marcel Breuer, Italy's famed master of concrete, Pier Luigi Nervi, and France's Bernard Zehrfuss could get down to work...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

...Bernard Zehrfuss, 48, who built his reputation with low-cost housing units in North Africa, took over on site planning, bulldozed the unconventional structures through Paris' complex building codes, coordinated multilingual teams of workmen...

Author: /time Magazine | Title: Art: Palace of Concrete | 12/8/1958 | See Source »

After countless sketches, Designers Zehrfuss, Nervi and Breuer had hit on an unusual, Y-shaped Secretariat, gracefully modern yet low enough (seven stories) to fit into a new site near the Eiffel Tower without overshadowing the classical architecture of neighboring buildings. The new plan calls for a building resting lightly on stiltlike pilotis. Within the Y is space for UNESCO's 1,200 workers, each one with a window on Paris; there will be small conference rooms, a bank, workshops, two restaurants, doctors' offices and libraries. On the ground, the architects plan a mosaic-tiled pool, a delegates...

Author: /time Magazine | Title: Art: From Slab to Y | 5/25/1953 | See Source »

...take some doing. The architects are also bracing for a possible fuss from architecturally conservative Parisians. To avoid conflict with existing styles nearer midcity, the building is to be set at the edge of the Bois de Boulogne; but Parisian reaction cannot be taken for granted. Said French Architect Zehrfuss: "They're noted bellyachers...

Author: /time Magazine | Title: Art: A Sandwich for Sister | 10/13/1952 | See Source »

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