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Scott once remarked that after he'd written about a character for a while it just became himself again. The only people whose thoughts he could accurately describe were himself and Zelda. Perhaps he devoted so many pages to the beautiful and rich and charming because he doubted the quick and relatively effortless success, which made him a part of that genre...

Author: By Ira Fink, | Title: Paradise in Bits and Pieces | 11/12/1974 | See Source »

...sweetheart Estelle Oldham wed someone else. Faulkner waited. After ten years her marriage broke up, and Faulkner proposed. Their lifelong union was outwardly placid, Faulkner the proper country squire, Estelle his lady. But their mutual drinking produced nightmarish battles as dramatic though less destructive than those between Scott and Zelda Fitzgerald...

Author: /time Magazine | Title: Books: Footnotes to Genius | 3/25/1974 | See Source »

...Tillichs were the Zelda and Scott Fitzgerald of Germany's intellectual set, bouncing from Berlin to Marburg to Dresden on a wave of popularity amid the desperate decadence of the Weimar Republic. Both had been married before. Tillich's first wife was carrying another man's child when Paulus, a front-line chaplain, returned from the disasters of World War I. Hannah was still married to her first husband and was carrying his child when she packed up and left to be with Tillich...

Author: /time Magazine | Title: The Sexes: Paul Tillich, Lover | 10/8/1973 | See Source »

Lillian Hellman has had the kind of life that Zelda Fitzgerald and many another lost lady wanted and thought she deserved. Hellman drank with the big boys, but held her liquor and her health. Her 30-year love affair with Dashiell Hammett (The Maltese Falcon) was the kind of tough-tender romance that Hemingway daydreamed about in his novels. Most important, she had a successful career as a playwright: twelve Broadway plays, eight of them hits, and one, The Little Foxes, a classic...

Author: /time Magazine | Title: Books: Half-Told Tales | 10/1/1973 | See Source »

Bumptious Phase. His colleagues at some of the regional theaters are not entirely pleased with his notion and fear his imperialist instincts. "I think Joe is in a very bumptious phase," responds Zelda Fichandler, producing director of the Arena Stage in Washington. "He just wants to spread that which he creates around. He wants to cover more of God's green earth, and he needs green money to do it." She tartly adds: "It is only lately that he is in the new play department. He has done European things at the Public Theater...

Author: /time Magazine | Title: The Theater: Joe Papp: Populist and Imperialist | 7/3/1972 | See Source »

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