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Word: zerbinetta (lookup in dictionary) (lookup stats)
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...less about the relationship between the comic and the serious and more about that between the “popular” and the “classical.” The conceit plays out well, especially as the Composer falls in love with the leader of the troupe, Zerbinetta (the soprano Rachele Gilmore). Their duet, “Ein Augenblick ist wenig, ein Blick ist viel” (“A Moment is Nothing, But a Glance is Everything”), let the tremendous youthful zest of both characters flower. Bursting with energy and grace, the singing...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

...Opera works well enough on its own, which actually might in the end be healthier than forcing a particular production vision beyond its natural limits. Marjorie Owens’s stately, poised Ariadne provides a well-measured foil to Gilmore’s sprightly, impish Zerbinetta. The opera is, in effect, a showcase for the two very different types of sopranos—dramatic and coloratura—and each takes full advantage of the opportunity to have fun. Owens’s sturdy, firmly rooted rendition of the aria “Es gibt ein Reich?...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

RICHARD STRAUSS: ARIADNE AUF NAXOS (DG). Strauss's glowing score, brightened by Kathleen Battle's sparkling Zerbinetta and James Levine's energetic baton...

Author: /time Magazine | Title: Music: Best of '87: Music | 1/4/1988 | See Source »

After many tricks and turns of the plot, she succeeds in uniting Octavio and Leander with their beloved Hyacintha (Martha Redding) and Zerbinetta (Valerie Beck), as well as in bending every member of the educated class to her will...

Author: By Ellen R. Pinchuk, | Title: (E)scapining | 10/31/1986 | See Source »

...Strauss's Der Rosenkavalier, or sweeps glamorously onto a concert stage dressed in one of her custom-made Rouben Ter-Arutunian gowns, it is impossible to imagine Battle's ever taking a letter or raising a ruler again. She is an ethereal Nannetta in Verdi's Falstaff, a sparkling Zerbinetta in Strauss's Ariadne auf Naxos and a beguiling Susanna in Mozart's The Marriage of Figaro, which she will sing at the Metropolitan Opera later this month in a new production by French Director Jean-Pierre Ponnelle...

Author: /time Magazine | Title: Music: At the Head of the Class | 11/11/1985 | See Source »

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