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Word: zeros (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...courses in the area may be offered next year, but James M. Duesenberry, chairman of the department, said this week that all positions had been filled for next year and that there was "zero chance" of hiring people to fill the two proposed slots...

Author: By Walter N. Rothschild iii, | Title: Postponing The Arrow Report | 3/23/1974 | See Source »

...operating at full capacity presently (although its engines are maintained at zero airtime, which means they are like new). A DC 8 is most economical when it flies 300 hours a month, and it is now in the air less than 100 hours permonth...

Author: By Sarah K. Lynch, | Title: Flying High on Air Freelandia | 2/27/1974 | See Source »

...human beings yearn to become rhinoceroses. The comfort of conformity becomes more attractive than the responsibilities of individualism. So one by one, the people of the town succumb to the lure of the mindless pact. Even Stanley's saccharine girl friend Daisy (Karen Black) and his best friend John (Zero Mostel) go over to the side of the rhinos. Only Stanley resists. He becomes the anomaly...

Author: By Marni Sandweiss, | Title: Pale Pachyderm | 2/7/1974 | See Source »

...film does have some funny scenes. Zero Mostel's characterization of a fastidious gentleman, slowly changing into a rhinoceros before our eyes, is wonderful. His extraordinary facial expressions and contortions transform him into a wild, snorting beast. He begins charging around his bedroom smashing furniture and eating plants. Unfortunately, though this transformation scene is funny, and Mostel is at his absurd best, the scene is just too long and gimmicky. O'Horgan's determination to make the play a conventional comedy ruins the scene. It's always fun to exploit Mostel's talent. But long comic scenes which rely...

Author: By Marni Sandweiss, | Title: Pale Pachyderm | 2/7/1974 | See Source »

...Zero Mostel re-creates his Broadway role of John, Stanley's friend and upstairs neighbor. Writing about the 1961 production, Critic Robert Brustein observed that "Mostel has a great dancer's control of movement, a great actor's control of voice, a great mime's control of facial expression." The film preserves Mostel's virtuoso performance, including a long, bumpy transformation from man into rhino. But the control that Brustein admired is not so apparent under O'Horgan's direction. Mostel, unchecked and unchallenged, easily skids into self-parody. Still, his billowing, bellowing...

Author: /time Magazine | Title: Cinema: Zoo Story | 2/4/1974 | See Source »

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