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Word: zestful (lookup in dictionary) (lookup stats)
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...tone and format were altogether different in the Tuesday-night debate among running mates: a single moderator posed questions and let the candidates talk directly to one another. Vice President Dan Quayle and Clinton's No. 2, Al Gore, tore into each other with a zest that frequently left Perot's running mate, retired Vice Admiral James Stockdale, a tongue-tied bystander. Quayle was a far cry from the vacuous dolt so often portrayed. He mounted a sharply focused, though overly glib and often shrill, attack, repeatedly taunting Gore about "pulling a Clinton" -- that is, waffling. Gore, though...

Author: /time Magazine | Title: The Campaign Nears Decision by Default | 10/26/1992 | See Source »

...tough on the woman (Ellen Barkin) when the man is Jack Nicholson. But Jack is looking too creased and rusted to play a romantic lead. And the story, about predatory men from all social strata lurking in the cobwebbed corners of a modern woman's life, gets neither the zest nor the sick thrill it could use. This is an enervated, despondent entertainment -- especially if you start meditating on what's befallen Nicholson, writer Carole Eastman and director Bob Rafelson since 1970, when the trio made Five Easy Pieces and the cinema world seemed full of promise and not dead...

Author: /time Magazine | Title: Short Takes: Jul. 27, 1992 | 7/27/1992 | See Source »

...games begin with Gallic zest -- and some gridlock...

Author: /time Magazine | Title: Time Magazine Contents Page | 2/17/1992 | See Source »

...words: just after her rape, the girl regains pride by scorning childish pleasures, saying she feels she is "a woman now -- an old woman." And she utterly avoids self- pity. Instead this unforgettable play is steeped in the writer's, her mother's and her region's jubilant zest for life...

Author: /time Magazine | Title: Playwright's Own Story | 11/25/1991 | See Source »

...Robustly funny, full of fantasy and hallucination yet easy to follow, it is free of the world-weary, elegiac tone of the four slight one-acts that had been Miller's sole stage output in the previous decade. At 76, the playwright has recaptured the vigorous voice and zest of middle age and has found a fresh, indeed engagingly oddball, way to revisit his accustomed theme of how to assess rugged individualism -- as personal integrity or as social irresponsibility. Only one fact jars: this world premiere is delighting audiences not on Broadway but in London's West End. Says Miller...

Author: /time Magazine | Title: Arthur Miller, Old Hat at Home, Is a London Hit | 11/11/1991 | See Source »

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