Word: zeus
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Dates: during 2000-2009
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...When freedom lights the beacon in a man’s heart, gods are powerless against him,” Zeus says in Jean-Paul Sartre’s play “The Flies.” Through the Electra myth, Sartre’s work skillfully explores notions of free will and human essence. This mélange of existentialism and Greek mythology would have been unremarkable to the 20th century audience for whom the play was written. But redefined within the contours of the 21st century—as the Harvard Radcliffe Dramatic Club?...
...mourning, the people no longer conceive the world through their own minds but through those of others. Through allegory, Sartre criticizes the people of his epoch trapped by religion and social norms. “Eyes so intent on me, they forget to look into themselves,” Zeus says. Such people cannot light the beacon within themselves...
...spent well north of $100 billion in the effort to create a technological shield to protect its mainland from incoming missiles - much of it on long-forgotten and never used systems such as Nike, Nike Zeus, Nike-X, Sentinel and Safeguard. The grandest of these, the Safeguard system, was built nearly 40 years ago in Nekoma, N.D. Huge earth-moving machines dug up 1.75 million cu. yd. of rich, black loam from the 470-acre site. Contractors built the base with 160,000 cu. yd. of concrete and 12,000 tons of steel. They crowned their work with a partly...
...secular, ancient and modern - are actually extraordinarily messy. Langdon points out, for example, that the U.S. Capitol "was designed as a tribute to one of Rome's most venerated mystical shrines," the Temple of Vesta, and that it prominently features a painting of George Washington in the guise of Zeus. ("That hardly fits with the Christian underpinnings of this country," harrumphs Langdon's skeptical audience.) Power is power, and it flows from religious vessels to political ones with disturbing ease. This may or not be obvious, but it is true, and deeply weird, and not at all trivial...
...Titian’s “Danaë”—the finest of multiple versions of the same scene. “Danaë” shows the rape of the mother of Perseus (voluptuously spread on a coach) by Zeus, who has transformed himself into a shower of gold coins—a 24-carat money shot—to seduce her. The scene clearly had intense popular attraction, and transgressive erotic appeal, and one contemporary remarked that this version made one of Titian’s earlier editions of the scene look...