Word: zhivago
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Dates: during 2000-2009
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...died in Los Angeles on March 29 at 84, put this knowledge to use in his first famous scores: the heroic theme that lent a galloping grandeur to David Lean's 1962 Middle Eastern western, Lawrence of Arabia, and the chorus of balalaikas in Lean's 1965 Doctor Zhivago that promised ecstatic reunion after the grimmest separation. In a half-century of movie work, Jarre wrote the music for more than 150 features, but it's his underscoring of Lean's films that won him his renown--and three Oscars, for Lawrence, Zhivago and 1984's A Passage to India...
...flush of his career, he took so many assignments because he had three ex-wives and a lot of alimony to pay. The first of his marriages produced a son, Jean-Michel Jarre, a renowned composer of electronic music. But it is Papa Maurice's "Lara's Theme" from Zhivago moviegoers recall whenever they think of snow, sleds and the ache of lost love...
...frosty wastes of Stalin's Russia, a thousand balalaikas chorus in a dreamy waltz. "Lara's Theme" promises that "Somewhere, my love, there will be songs to sing." Not here, not yet, but for Yuri Zhivago and his elusive darling, the music holds both the ache of separation and the hope of ecstatic reunion. (See the 100 best movies of all time...
...Scalding sun; fields of snow. Maurice Jarre created memorable anthems for these two extremes in his first films for David Lean: the 1962 Lawrence of Arabia and the 1965 Doctor Zhivago. The French composer, who died Sunday in Los Angeles at 84, after a losing bout with cancer, wrote the scores for more than 150 features, but he'll always be associated with Lean, as much as Bernard Herrmann is with Alfred Hitchcock or John Williams with Steven Spielberg. The director devises the images; the composer gives them emotional heft. Both the pictures and their accompanying sounds lodge indelibly...
...Papa Maurice enjoyed a 50-year career, including three Oscars (for Lawrence, Zhivago and Lean's last film, A Passage to India), because he knew that film music is not the star of a movie; it is the secret supporting player that brings out the tension, the yearning, the drama. And because, back in 1962, when he was a little-known composer auditioning for a famous director and his imperious producer, David Lean said to Spiegel, "Sam, this chap here should do the work." Movie lovers and music lovers should be happy that Jarre...