Word: zhuangzhuang
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Dates: during 1990-1999
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Most hot political issues, in fact, are left to filmmakers inside China. Farewell My Concubine, Zhang's To Live, Tian Zhuangzhuang's The Blue Kite, Gu Rong's Unwelcome Lady and Jiang Wen's In the Heat of the Sun have boldly dramatized the fratricidal madness of the Cultural Revolution. The directors have paid for their bravery, finding their work censored or themselves unemployed. Gu submitted his film eight harrowing times before it was approved. Jiang tried distracting the on-the-set censor by casting him in Heat of the Sun. But he still had to fight for over...
...Tian Zhuangzhuang's film opens in 1953, with the marriage of lovely Chen Shujuan (Lu Liping), a schoolteacher, and gentle Lin Shaolong (Pu Quanxin), a librarian. The two believe they have much to celebrate: their warm love, to be sure, but also the dawn of a true People's Republic. Their political ardor can't last; what begins in naive hope is crushed against the great wall of Maoist reality...
...Tian Zhuangzhuang's film opens in 1953, with the marriage of lovely Chen Shujuan (Lu Liping), a schoolteacher, and gentle Lin Shaolong (Pu Quanxin), a librarian. The two believe they have much to celebrate: their warm love, to be sure, but also the dawn of a true People's Republic. Their political ardor can't last; what begins in naive hope is crushed against the great wall of Maoist reality...
...Wenders' Faraway, So Close!, a sequel of sorts to his great Wings of Desire, is a monumentally quirky film essay that gradually, and satisfyingly, surrenders to the conventions of the thriller genre. The festival had two out-of-nowhere finds, both set in the '50s and '60s: Tian Zhuangzhuang's The Blue Kite, from China, and The Odor of Green Papaya, a lovely Vietnamese film made in France by writer-director Tran Anh Hung, 30, and a cast of refugees; both tell bold stories of a child's coming of age. And Abel Ferrara's Hollywood horror movie Body Snatchers...