Word: zhulina
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...protagonist is Mirabell (Joseph “Jack” Cutmore-Scott ’10), who loves Millamant (Olga Zhulina ’09), whose aunt is Lady Wishfort (Alison H. Rich ’09). Wishfort has to be married before she will give her blessing (and her fortune) to the couple, so Mirabell decides to have an already-married servant pretend to be a lord and court...
...costumes and set work together effectively to underscore the status of the characters. Costume designers Olga I. Zhulina ’09 and Sabrina Chou ’09 put each couple in subtly matching colors while Robert wears neutrals, effectively emphasizing his isolation. The set, designed by Melissa E. Goldman ’06 and Grace C. Laubacher ’09, consists of five large cubicles along the walls on the first floor for the couples and three smaller ones on a second level for the girlfriends. The band is perched in between the two levels, serving...
...expressive face shows her internal conflicts well. Although Bernarda is the ostensible oppressor of the family, the suggestion that it is actually men who are the tyrants in this play is omnipresent, and so Palma’s increasing pathos lends her character greater credibility.Olga I. Zhulina ’09 shines as Adela, the beautiful youngest daughter of Bernarda whose recklessness leads her to folly. Her portrayal of a woman at once romantic and sexually rapacious—with the idealism of youth but the ruthlessness of her mother—galvanizes Adela’s character with...
...cloistered home of matron Bernarda Alba, played by Alexandra C. Palma ’08, is rife with internal female conflict and external societal tensions. The cast, which is comprised of nine female actors, includes Ellen C. Quigley ’07 as Poncia, a servant, and Olga I. Zhulina ’09, as the fiery youngest daughter Adela...
Costume designers Sabrina Chou ’09 and Olga I. Zhulina ’09 use similar minimalist methods to contribute to the general feel of sterility and conformity...