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Word: ziegfeld (lookup in dictionary) (lookup stats)
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...Hughie, the recently deceased night clerk, but actually he grieves for himself. Hughie was Erie's false mirror image, the man who gave him the confidence to see himself as he is not. Hughie was the heaven-sent sucker who believed that Erie was the lovemaster of Ziegfeld Follies girls, that Erie beat the "bangtails," the cards and the dice, and hobnobbed with big-time Broadway mobsters. On a hungover losing streak, Erie knows that he desperately needs another Hughie, and the question is whether the new night clerk, a mousy, laconic deadhead (Jack Dodson), can be conned into...

Author: /time Magazine | Title: Theater: Playwright as Hedgehog | 1/1/1965 | See Source »

...studio gate. She is on the set at 6:30 every morning, a half-hour before her call. On weekends, she goes home to her parents. Her father was once a professional football player and is now a teacher at Los Angeles City College. Her mother was a Ziegfeld girl...

Author: /time Magazine | Title: Actresses: The Electronic Tomato | 12/4/1964 | See Source »

...nouveau is the interior at Maxim's, the typography of McCall's, the Ziegfeld Theater, the shopping bags of London's Elliott shoe company, the gaudy Metro exit at Paris' Place de la Bastille, the Postal Savings Bank building in Vienna, the curly white painted Italian furniture, Tiffany lamps, Gallé vases, books with spiraling Aubrey Beardsley designs, and twisted, forged-iron banisters now flooding art shops and galleries...

Author: /time Magazine | Title: Styles: New Look at Art Nouveau | 8/21/1964 | See Source »

...deepsong called People ("People who need people are the luckiest people in the world"). One moment she is staggering offstage under a 3-ft. floral headdress that might have been fashioned by a faggot Cherokee, and the next she is an eight-months-pregnant bride in a mock-up Ziegfeld Follies production number...

Author: /time Magazine | Title: Broadway: The Girl | 4/10/1964 | See Source »

There was a day when big-time swingers in their spats and waistcoats used to go to a Broadway show, look over the girls and select the ones they would have, like lobsters from a tank. William Randolph Hearst acquired Marion Davies that way. But that was the Ziegfeld era in the Pleistocene epoch. Modern Broadway is different. Chorus lines, even in musicals, are depleted, and those old self-made audience libertines have turned into relatively timid expense-account types who go, in a big verbal way, for the unattainable elf of the smash light comedy -the bright and blue...

Author: /time Magazine | Title: Broadway: Two in the Center | 3/6/1964 | See Source »

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