Word: ziegfelded
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...parade had begun. When his wife Dorothy Goetz died in 1912, Berlin poured out his grief in his first real ballad, When I Lost You. The Ziegfeld Follies of 1919 brought forth A Pretty Girl Is Like a Melody; 1924 saw both the tenderly brooding What'll I Do? and the valse triste All Alone. His courtship of heiress Ellin Mackay, granddaughter of an owner of the Comstock Lode, was breathlessly followed in the press, and their secret marriage in 1926, over her father's vigorous objections, made headlines. It also made standards like Always...
...season's main song-and-dance items, Ziegfeld and Winnie, are biographies with vapid books and recycled songs. The portrait of Showman Flo is slack and bland, the glimpse of Churchill in wartime likely to appeal only to those with nostalgia for buzz bombs. In the wings: mostly revivals, including Can-Can and Brigadoon. Bemoans Producer Cameron Mackintosh (The Phantom of the Opera, Les Miserables): "It's Mausoleum Alley here." In part, the West End is the ironic victim of its own past successes. Fourteen shows now running in London have been playing for a year or more...
...designed his first dress when he was a little old man of five, and his mother wore it to a St. Petersburg ball. Mata Hari was a client, as were the Ziegfeld Follies, MGM, various opera companies and magazines as disparate as Harper's Bazaar and Playboy. Now a little old man of 95, Erte still astonishes, as is vividly demonstrated by the delicious retrospective Erte at Ninety-Five: The Complete New Graphics (Dutton; 192 pages; $75). His work is generally labeled art deco, but his wit, imagination and irrepressible flamboyance suggest a more fitting appellation: art Erte...
Perhaps the most striking symbol of Britain's impact came in the West End opening last week of Follies, not so much a revival as a complete reconsideration of the 1971 Stephen Sondheim musical, set at a reunion of performers of Ziegfeld-style spectacles. The original version won five Tony Awards but lost nearly all its then awesome $800,000 investment, and save for a 1985 Lincoln Center concert version, there has been no revival. The $3 million-plus London production opened to bigger advance sales than Cats, Les Miserables or the current hottest ticket, Phantom of the Opera, according...
Liberty Weekend, some carped, was more about profits than patriotism, more about commerce than comity. The opening-night ceremony was a sentimentalized show-biz tribute that left no cliche unturned, a hokey combination of the old Jackie Gleason show from Miami Beach, the Rose Bowl parade and the Ziegfeld Follies. But what, after all, could be more American than that? Show biz, not solemnity, is an American hallmark; taste is not guaranteed in the Bill of Rights. President Reagan's aides were concerned that their man would be demeaned by the Busby Berkeley choreography. Others joked about his pressing...