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What Florenz Ziegfeld brought to Broadway and Tabasco sauce to the raw oyster, the Rev. William H. Alexander brought to religion in Oklahoma City. He put zing into churchgoing. A strapping, handsome redhead with a rousing voice and a glad hand, the Rev. Bill installed pool tables, bowling alleys and card games for the kids. He let himself be chucked into the lake summers at the First Christian Church men's outing, and he wrestled all comers on the grass. He was not above presiding at public rallies in an old turtleneck sweater...

Author: /time Magazine | Title: OKLAHOMA: The Call | 1/16/1950 | See Source »

...history." "Carol Channing," trilled the Herald Tribune's often harsh-voiced Howard Barnes, "serves notice that she has few peers among musical-comedy actresses." Even before these rhadamanthine judgments were pronounced, Carol's out-of-town notices had set the box office of Manhattan's Ziegfeld Theater humming with the biggest advance seat sale in theatrical history-a whacking $600,000 worth...

Author: /time Magazine | Title: The Theater: The Wonderful Leveling Off | 1/9/1950 | See Source »

...cluttered backstage dressing room at the Ziegfeld Theater last week, Carol gazed moodily into a big mirror and solemnly pondered her features and her technique. The shelf before her had none of the average young actress's array of paints and creams. Carol dived deep into the recesses of an enormous scuffed leather purse, located a stick of drugstore lip rouge and smeared it generously on the tip of her nose. "I think about character a lot," she said gravely. "It's much more important than timing." She wiped the lipstick under her chin and made two bull...

Author: /time Magazine | Title: The Theater: The Wonderful Leveling Off | 1/9/1950 | See Source »

Luise Rainer, who can be remembered for her portrayal of Anna Held in the motion-picture "The Great Ziegfeld," among other outstanding roles, is still no better decribed than by the adjective "captivating." During her longer speeches Wednesday night, particularly the lyrical but incomprehensible 'play-scene' in Act I, Miss Rainer held her audience spellbound by the sheer radiance she brought to the role. During this speech, she made fewer movements than a Madonna, but at other times she did things that no American-trained actress could possibly do and get away with--the mercurial changes of mood, the intense...

Author: By George A. Leiper, | Title: THE PLAYGOER | 10/21/1949 | See Source »

...wide open"), Wynn was onstage all but five minutes of the half-hour show, grimacing in a succession of funny hats, outlandish garments and size 13 shoes. The fluttery mannerisms, Rube Goldberg inventions and falsetto giggles were the Wynn trademarks made popular by a long succession of musical comedies (Ziegfeld Follies of 1914 and 1915, The Perfect Fool, Hooray for What...

Author: /time Magazine | Title: Radio: Something Old, Something New | 10/17/1949 | See Source »

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