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...nearly the entire stage. Ten actors--some dressed in togas, others in modern-day suits--jump in and out of it to re-enact the myths of Ovid. There's Phaeton and his chariot; Midas (in the chair) and his daughter; Orpheus and his underworld voyage. Writer-director Mary Zimmerman's lovely, deeply affecting work (an off-Broadway hit moving to Broadway in March) recaptures the primal allure of the theater--it's fake; isn't it wonderful? Using stage devices that delight with their low-tech ingenuity and a text that modernizes without patronizing, it shows that theater...

Author: /time Magazine | Title: The Best and Worst of 2001: Theater | 12/24/2001 | See Source »

...Unfortunately," says Phaeton's therapist, "the mythic side of man is given short shrift these days. He can no longer create fables." A professor of performance studies at Northwestern University, Zimmerman, 41, has been creating stage fables for years from her base in Chicago, just off the radar screen of the East Coast tastemakers...

Author: /time Magazine | Title: Theater: Gods in the Wading Pool | 12/3/2001 | See Source »

...Zimmerman, who was born in Nebraska to college-professor parents, says she had her formative encounter with the theater at age five or six, when the family was living in London. One day, in the woods near their house where she used to play, she stumbled on a local summer-theater troupe rehearsing A Midsummer Night's Dream. "I knew they were pretending. I wasn't fooled," she says. "But it was the act of pretending and the fact that adults were pretending that was stunning to me. I call that my primal scene...

Author: /time Magazine | Title: Theater: Gods in the Wading Pool | 12/3/2001 | See Source »

Like Taymor's theater work, Zimmerman's harks back to these innocent, childlike reactions. "I'm from Nebraska, and Willa Cather is the great Nebraska author whom I've ignored until this age," she says. "But in [Cather's] Song of the Lark, there's a character who says she will never be the artist she was as a child. I have very much that same feeling: that the ability to take something banal or simple and make it into something else is a skill that is in the realm of childhood...

Author: /time Magazine | Title: Theater: Gods in the Wading Pool | 12/3/2001 | See Source »

...ability to transform an audience into willing (and often weeping) children is the essence of Metamorphoses, and of Mary Zimmerman's original and warming...

Author: /time Magazine | Title: Theater: Gods in the Wading Pool | 12/3/2001 | See Source »

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