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Five strokes behind Henley was John Collich of UConn at 148. Providence's Matt Zito finished third with 73 on Friday after a 76 the day before...

Author: By Robert Sidorsky, SPECIAL TO THE CRIMSON | Title: Linksters Sixth in NCAAs at Portland | 5/7/1979 | See Source »

Alexander went off the first tee late in the day paired with Henley and Zito in a threesome in which the birdies came fast and furious. Alexander went out in a two-over 37, sweeping through the first seven holes in even par. A rash of three putts undid him coming in. Alexander, who hits a golf ball prodigious lengths, was out-driving Henley and hitting at least two clubs less than Zito on every hole...

Author: By Robert Sidorsky, SPECIAL TO THE CRIMSON | Title: Linksters Sixth in NCAAs at Portland | 5/7/1979 | See Source »

...Zito, a squat, roly-poly fellow with a wristy swing, made up for his lack of length with an exquisite short game. On the 202-yd. par three 16th, Zito was 30 yards short of the green with a two-iron while Henley and Alexander both reached with four-irons. But Zito's chip hit the pin and lodged three inches from...

Author: By Robert Sidorsky, SPECIAL TO THE CRIMSON | Title: Linksters Sixth in NCAAs at Portland | 5/7/1979 | See Source »

Most of the supporting cast fares much better. Ralph J. Zito nicely depicts his character's subtle transformation from a young rake interested only in an amourous conquest into a sicere and passionate suitor. Chrysalde (James A. Bundy), Arnolphe's friend and Moliere's obligatory voice of reason, is also pleasantly portrayed. With an agreeably light touch, Bundy successfully combines a tone of reasonableness with one of faint mockery. Christian D. Clemenson excels as the notary. Positively inflated with pomposity, he delivers Moliere's gentle (in this case) parody of complacent bureaucrats with hilarious accuracy...

Author: By Max Gould, | Title: Muddling Moliere | 4/10/1979 | See Source »

Most of the acting is competent, with occasional flashes of inspiration. Ralph Zito misses some of the conflicts in Antony's nature--we rarely see him struggling with himself and then giving in--but he carries himself well, and his expressive voice capable of seemingly effortless changes in pitch and volume, projecting intensity of thought and feeling in quieter moments. James Bundy's Octavius Caesar strikes a few puzzlingly bfzarre, manic notes where he shrieks incomprehensibly and furiously rattles off his lines, but he successfully gives us a consumed, highly charged man of action. Dan Becker as the waterlogged messenger...

Author: By David B. Edelstein, | Title: Floating Shakespeare | 12/12/1978 | See Source »

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