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Word: zola (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

There are a couple of rumors circulating about The Game is Over: Roger Vadim has put one of those old Zola novels on film. Roger Vadim has made a fantastic nudie flick...

Author: By Joel DE Mott, | Title: The Game is Over | 3/17/1967 | See Source »

...Game Is Over, which transposes a novel by Emile Zola (La Curée) into the present Paris scene, he gives them little else. Game tells the gamy tale of a hot young wife who commits incest with the hot young stepson (Peter McEnery) of her cold old husband (Michel Piccoli), and Vadim finds opportunities innumerable to show the world what a lucky man he is. Mrs. Vadim is exhibited stark naked in a bed of lust and rising from a garden pool like the White Rock girl. She also appears topless in a bathroom and bottomless under a hair...

Author: /time Magazine | Title: Cinema: Something Nue | 1/13/1967 | See Source »

...collected bylines were illustrious indeed. There was Emile Zola pas sionately arguing the case for Captain Alfred Dreyfus. Guy de Maupassant covered a Hindu cremation in India...

Author: /time Magazine | Title: Newspapers: The Reassurance of St. Figaro | 11/25/1966 | See Source »

...perspective, it becomes clear that the age was in every respect the equal of the great art epochs of the past and that among its greatest giants was Edouard Manet, one of the first artists to concern himself exclusively with modern times. "We laugh at Monsieur Manet," wrote Emile Zola 100 years ago. "It will be our sons who go into ecstasies over his canvases." Indeed, he is now ranked with Cezanne as one of the major precursors of 20th century painting. The problem is that his once scorned works are now so highly prized (a rare Manet at auction...

Author: /time Magazine | Title: Painting: The Fundamentalist | 11/11/1966 | See Source »

Threat to Morals. Manet's scruffy friends were none other than the novelist Zola, the poets Baudelaire and Mallarme, the painters Monet, Degas and Renoir. He owed them all a debt, but most of all he trusted his own vision. "One must be of one's time," he said, "do what one sees without worrying about the fashion." Mallarme stated their common goal succinctly: "To paint not the thing, but the effect it produces...

Author: /time Magazine | Title: Painting: The Fundamentalist | 11/11/1966 | See Source »

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