Word: zola
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Loew's Orpheum--"Nana." The much publicized Anna Sten makes her debut via Zola: she has a certain peasant-like charm but seems miseast. Recommended to the Dietrich clan...
...fellowship made possible by money from the Guggenheim family-plutocrats not included in his book. He is rather deaf, has a sloping forehead, a shy Slavic face; his mustache and hair parted in the middle give him the look of a Yiddish Robert Louis Stevenson. Other books: Gallimathias (poems), Zola & His Time, Portrait of the Artist as American, Jean-Jacques Rousseau. The Robber Barons is the March choice of the Book-of-the-Month Club...
Nana (United Artists) is Emile Zola's story about a Parisian gutter-lily, gilded by Samuel Goldwyn. When first seen Nana (Anna Sten) is a scrubgirl, soapily eager to be glamorous and rich. As a first step toward this goal she pushes a drunken soldier into the troutpool of a sidewalk cafe. Her act so delights an impressionable theatrical manager (Richard Bennett) with Belasco manners and Minsky talent, that he makes her his mistress, teaches her to be a torchsinger...
...starting a Blue Shirt revolution when he leads a band of grimy Union Square radicals ("We Seldom Fill Our Stomics, But We're Full of Economics") in song: Down, down with the House of Morgan! We'll blow up the Roxy organ! Down with novelists like Zola! Down with pianists who play "Nola!". . . We will make all tyrants shiver. Down upon the Sewanee River! Happiness will fill our cup When everything is down that's up! With plenty of blue shirts already on hand, the revolution is not hard to start. In a quavering voice, Alexander Throttlebottom...
...Carroll clearly earn the applause they receive. Best Sellers (by Edouard Bourdet; Lee Shubert, producer) was adapted from the French by Dorothy Cheston Bennett and is concerned with the foibles of literary and publishing folk. Shrewd Mosca is arranging to have one of his authors win the coveted Zola prize when humble Fournier (small Ernest Truex). his forgotten Wartime companion, comes to call. Fournier is jostled and insulted by the secretaries, office boys, critics, novelists who jam the great man's office. He is allowed to cool his heels until the publisher learns that the prize committee has capriciously...