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...perspective, it becomes clear that the age was in every respect the equal of the great art epochs of the past and that among its greatest giants was Edouard Manet, one of the first artists to concern himself exclusively with modern times. "We laugh at Monsieur Manet," wrote Emile Zola 100 years ago. "It will be our sons who go into ecstasies over his canvases." Indeed, he is now ranked with Cezanne as one of the major precursors of 20th century painting. The problem is that his once scorned works are now so highly prized (a rare Manet at auction...

Author: /time Magazine | Title: Painting: The Fundamentalist | 11/11/1966 | See Source »

...other movies at Venice left everything in ashes without turning anything on fire. From Germany, from France, from Italy, from India, even from sentimental old Mother Russia, came long, unarguable movie testaments to the dreariness of it all. La Curée, Roger Vadim's version of Zola's Alexandre, impressed most critics as little more than a soap bubble around his wife Jane Fonda. The U.S., displaying more invention than intelligence, came up with Chappaqua, a booze-and-drug Upanishad displaying Allen Ginsberg, the poor man's Whitman. The festival scene had become such a cluttered...

Author: /time Magazine | Title: Movies: La Dolce Venezio | 9/16/1966 | See Source »

...Adventurers' international-jet-set subjects would confound a Zola. In the hands of Robbins they become like the projections of CinemaScope: highly colored, nine times larger than life, and relentlessly two-dimensional. One of the projections is Diogenes ("Dax") Xenos, diplomat, soldier, businessman, patriot, politician, international satyr and unintentional satire. Dax is to women what Dash is to washing machines: he makes them feel ten feet tall. His sometime pals, a French playboy and a White Russian con man, are not far behind in their technique: one of them receives a gold cigarette case from a female admirer inscribed...

Author: /time Magazine | Title: Books: Robbins' Egg | 4/15/1966 | See Source »

...just as well for Kasavubu that he was not on hand. By the time the final name on the roll (Senator Emile Zola from Kongo Central) was called, Parliament had thrown out his handpicked Kimba regime by a vote of 134 to 121 and handed Tshombe a narrow but satisfying victory. It was, however, only the first round. Kasavubu immediately asked Kimba to form another Cabinet, which under the constitution gave the defeated Premier another 30 days of grace before Tshombe could mount a new challenge in Parliament...

Author: /time Magazine | Title: The Congo: Fight for a Leopard-Skin Chair | 11/26/1965 | See Source »

...major novelist of a minor language: Portuguese. A scrawny chap with big buck teeth and a hook nose, Eça de Queiroz (pronounced Essa de Kay-rozh) spent most of his life as a Portuguese consul in London and Paris, fell under the spell of Flaubert and Zola, wrote a stack of realistic novels that appalled the provincial Portuguese and impressed some literate Parisians but missed fire in America. In 1962, however, a translation of O Crime do Padre Amaro presented him to U.S. readers as a satirist of force and finesse...

Author: /time Magazine | Title: Books: Agony in Affluence | 11/26/1965 | See Source »

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