Word: zoned
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...game-high 38 minutes of play allowed him to anchor the center for a 1-3-1 zone that turned the tide of the game in Harvard’s direction early in the second half. His long arms and athleticism allowed him to keep the center of the zone clogged, enabling his teammates to extend the zone and stifle Vermont’s previously unhindered scoring machine, allowing only three points during a seven minute span in which the Crimson scored 24, turning a fifteen point halftime deficit into a four point lead...
...half, it was facing a 19-point deficit. “I thought we needed a change,” coach Tommy Amaker said. “We were getting beaten off the dribble. We were getting stretched out.” That change was a 1-3-1 zone, combined with a greater emphasis on pushing the tempo, catalyzed by sophomore guard Jeremy Lin. A three-pointer by Lin just over a minute into the second half sparked the Crimson’s run, during which he scored eight of his team-high 18 points and recorded four rebounds...
...Center’s huge sheet of ice to score two of their three breakaway goals. On a Harvard man advantage at the beginning of the period, UNH’s Kacey Bellamy collected the puck behind her own net and found teammate Sam Faber open in the neutral zone. Faber rushed the net and buried the shorthanded tally just 48 seconds into the stanza. Minutes later, Wildcats defenseman Julia Marty intercepted the puck near center ice and passed it ahead to Micaela Long, who beat Kessler 1-on-1 to make the score...
...Corman's Edgar Allan Poe movies of the '60s to the seminal '70s TV films Duel (Steven Spielberg's first feature) and The Night Stalker and the '90s films What Dreams May Come and Stir of Echoes, based on his novels. Some of Matheson's TV fables - the Twilight Zone story about the gremlin on the airplane wing, the Trilogy of Terror jape about a Zuni fetish doll chasing Karen Black around her apartment - linger at the base of many a viewer's spine, three or four decades after they were first aired. Credit those residual shivers to a nonchalant...
...Knocked Up,” “The 40 Year-Old Virgin” and “Superbad,” takes some calculated risks. First, a plotline constructed to mock the inexhaustible slew of musician bio-pics finds Apatow outside his filmmaking comfort zone. Second, Apatow’s brand of comedy has become the primary draw, instead of the film’s star, John C. Reilly, a leading man whose most memorable role for Apatow’s audience (or anyone else’s, really) is Cal Naughton, Jr. in “Talladega...