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West German authorities had by now brought up 15 volunteer police sharpshooters, who wore armored vests under athletic uniforms. They were tracked by zoom-lens television cameras from atop the Olympic TV tower, though TV audiences could not hear the strange coded radio messages that accompanied their moves: "Samira to Eagle, the sky is clear." "Akal to 25, take the iron but be careful." Finally the TV channel was switched off altogether on the chance that the Arabs were also watching the stealthy sharpshooters edge up on them. But there were not enough targets to fire at. If a sharpshooter...

Author: /time Magazine | Title: TERRORISM: Horror and Death at the Olympics | 9/18/1972 | See Source »

...ground while any soldiers aboard jump off; only the less seriously wounded have a chance to jump on. Time after time, litter patients who have waited for hours in a sun of close to 100° are hoisted to the shoulders of their buddies. But then the chopper will zoom down, hover for ten seconds, and take off again, leaving the wounded with a new layer of the red Binh Long dirt in their wounds and another two hours to wait...

Author: /time Magazine | Title: THE WAR: A Record of Sheer Endurance | 6/26/1972 | See Source »

...ethnic subculture. He took enormous pains to project a believable period milieu, using old cars, plastering buildings with correctly dated posters and handbills, even making sure that such minute items as pencils and lipsticks were authentic. He and his cinematographer emulated the visual style of the period, eschewing zoom lenses, fast cuts and jarring closeups. They used many longer tableau shots, achieving emphasis with subtle framing and lighting. Coppola edited it all together in what he calls a "legato" rather than a "staccato" rhythm, enabling him to build tension gradually and effectively over the picture's three-hour labyrinthine...

Author: /time Magazine | Title: Show Business: The Making of The Godfather | 3/13/1972 | See Source »

...Zoom (PBS) is a children's show produced by kids who want to stay on their own side of the generation gap, thank you. Virtually all the material is by children and is selected by the seven-member cast (ages nine through 13). The kids sing, dance, play games, talk in "Ubbi-Dubbi"-a catchy code language reminiscent of past generations' pig Latin-show home movies and give laconic instructions in all manner of skills. The first show featured a filmed demonstration of how to build a raft from tree limbs, leaves and an old tarpaulin...

Author: /time Magazine | Title: Television: The Redeemers | 1/24/1972 | See Source »

...Boston studios where Zoom is produced for public television, grownups coach, suggest, choreograph and keep a professional rein on things, thus avoiding the anarchy and flatness that sometimes bedevil NBC's hourlong, live Take a Giant Step. But the kids have the last say. Producer Christopher Sarson originally wanted a problem-solving segment patterned after the "Dear Abby" column, but the Zoom cast vetoed the idea: they felt they lacked the experience to solve problems for their peers. At the end of last week's show, they urged young viewers ("Zoomers") to write in for song lyrics...

Author: /time Magazine | Title: Television: The Redeemers | 1/24/1972 | See Source »

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