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...nature of the bombing explains the rest. Under orders to keep civilian casualties to a minimum, U.S. bombers zoom in close to the deck for greater precision, thus become vulnerable not only to a dense cloud of flak but also to small-arms fire. Such ground fire takes an even heavier toll than do the surface-to-air missiles that bristle around major targets. "Every farmer over there, I bet, has a pistol or a rifle," says Air Force Major Edward E. Williams, a veteran of the bombing war against North Viet Nam. In dogfights with Red MIGS, though...

Author: /time Magazine | Title: Nation: THE VALUE OF BOMBING THE NORTH | 12/16/1966 | See Source »

...well Warhol sets up his camers before a wall, puts an actor between the wall and the camera, and turns out a slice of life. He is aware that cameras can go in and out of focus, can move right and left and up and down, and can zoom in on their subjects. Although he uses these devices all the time, Warhol believes his material is so powerful that he need only be a chronicler...

Author: By Laurence Connors, | Title: The Chelsea Girls | 11/28/1966 | See Source »

...supposed to faint at a coroner's inquest, and I wanted to get the effect, but nobody could lick it. From 1939, I tried again several times. And it wasn't until Vertigo, when we had to have it that it was solved with a combination of a zoom lens and a dolly-back. When I asked the trick department how much it would cost, they said it would cost $50,000.00 for the one shot, because they'd have to take a rig above the staircase to take the camera up and the zoom forward. It was very elaborate...

Author: By Tim Hunter, | Title: ALFRED HITCHCOCK AT HARVARD | 10/14/1966 | See Source »

...Zoom to the Crow's-Nest. High-flown romance was N. C. Wyeth's special domain, but he infused it with a meticulous realism all his own. The inn in the background of the scene of Blind Pew was modeled on Wyeth's boyhood home in Needham, Mass., where he himself first read Treasure Island. "He was also a man who felt deeply about the tragedy of life," says Son-in-Law Peter Hurd, pointing out that Blind Pew was modeled on a blind man Wyeth knew. Far from mere illustration, it is a profound study...

Author: /time Magazine | Title: Painting: Aloft with Hawkins | 8/26/1966 | See Source »

...real secret, says Andrew Wyeth, was high drama: "Look at the picture of Jim Hawkins in the crow's-nest, and you can see how he worked toward something like angle shots in motion pictures. Much as a camera does, you zoom in on things." And it is N.C. Wyeth's enduring worth that even today the hearts of oldsters and youngsters alike zoom aloft with...

Author: /time Magazine | Title: Painting: Aloft with Hawkins | 8/26/1966 | See Source »

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