Word: zquez
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...Cagnes, friends, family and servants were his models, dressed and undressed. That's the second of his three sons in the life-size portrait Jean as a Huntsman, striking an aristocratic pose borrowed from Velázquez. At age 16, he looks as if he knows he'll grow up to be one of the greatest of all filmmakers, the director of classics like The Grand Illusion and Rules of the Game. During the run of this show, LACMA has scheduled a Jean Renoir film festival. You can schedule one at home to decide for yourself who was the greater...
...Among the some 100 works he has studied, which include Egyptian sculptures and contemporary paintings, Franco is particularly fond of exploring those that depict ailments during the Renaissance. Among his conclusions: the Spanish child Margarita, in Diego Velázquez's Las Meninas, likely suffered from both a thyroid condition known as goiter and the genetic disorder linked to premature puberty, McCune-Albright syndrome. The unusually long, thin fingers of the young nobleman in Sandro Botticelli's Portrait of a Young Man, which is displayed at the National Gallery in Washington, indicates that the subject suffered from Marfan syndrome...
...Hoving loved expanding the museum's collections, and he loved the chase. He didn't mind spending lavishly for major works like the Met's great Velázquez portrait of Juan de Pareja, which cost $5.5 million in 1971, a sum that qualified it then as the most expensive painting in the world. He also didn't mind selling off a Van Gogh and a Rousseau to help cover the cost, which got him into a public feud with the press over the notion of museums selling their treasures to buy new ones. The controversy brought on an investigation...
...Wrote an enthusiastic commenter: "Obama needs to move up, [Iranian President Mahmoud] Ahmadinejad needs to move down, [Uruguayan President] Tabaré Vázquez definitely needs to move way, way down, [Israeli Prime Minister] Benjamin Netanyahu is undressing me with his eyes ... Maybe Netanyahu should move...
...also found their way years later--in ghostly outline, stripped of any associations with fashion or taste--into the stark spaces and barred enclosures of his pictures. You detect them for the first time in his series of paintings from the 1950s that were drawn from the great Velázquez portrait of Pope Innocent X. Flickering white perimeters form a cage for the Pontiff's impotent fury. Why a Pope? With Bacon there's never one answer. His great gift was for visual and psychological conflation, for compressing multiple possibilities into a single sliding form. Trapped in a kind...