Word: zuber
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...Grosz was named Radcliffe’s dean of science. Colleagues said she has since been instrumental in luring leading scientists away from their labs to Radcliffe. Recent science fellows include renowned physicist Lisa Randall and Maria Zuber, the first woman to lead a science department at the Massachusetts Institute of Technology...
...successful science program, according to Maria T. Zuber, a geophysicist who was one of the first science fellows, is that Faust and Grosz were “smart enough not to make a one-size-fits-all” program. Instead, they listened to potential fellows’ concerns and worked hard to accommodate them individually. Zuber divided her time between the Radcliffe Fellows and the Harvard Department of Earth and Planetary Science...
...English and the Humanities, named her willingness to “democratically” listen “to a whole range of people” among the qualities that make her “eminently suited to leading, in particular, an academic community.” Fellows, including Zuber, similarly commented that Faust’s approach to problems is to listen, and that she is notably open to different viewpoints and encourages dissenting opinions...
...themselves, something of a cross between installation art and Isamu Noguchi's minimalist sets for the New York City Ballet. Add to that the light design of John Ambrosone, for whom no slant of light or subtlety of shading is unattainable, and the stoic formalism of Catherine Zuber's costumes, which make Chekov's rural social philosophers seem as though they could just melt into the landscape, and you have a two-hour-long painting on the stage. Yeremin's staging makes every use of this artistic ingenuity. His actors move more like dancers than farmers. Yeremin has a brilliant...
...designed by Riccardo Hernandez, involves oppressive metallic walls which are corrugated effectively to reflect and swallow light, creating both ethereal and demonic auras. The variations in lighting and musical interludes flow harmoniously from scene to scene, from fits of passion to furious rage. In addition, Catherine Zuber's intricately patterned kimonos and rustic leather vests emphasize the romantic undertones of the play; the shapes and aesthetics of the costumes are carefully integrated into the profile of each character and with the shimmering metallic backdrop give the stage a bizarre, beautiful aura...