Search Details

Word: zweig (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

BEWARE OF PITY-Stefan Zweig-Viking...

Author: /time Magazine | Title: Books: Modern Jinni | 3/27/1939 | See Source »

...also happens, with elaborate variations, in Beware of Pity, first full-length novel of symbolist-minded, 57-year-old Austrian Biographer Stefan Zweig (Marie Antoinette). Told to Author Zweig as the "confession" of an Austrian War hero. Captain Hofmiller, it is a pre-War tragedy which came from Hofmiller's pity for beautiful, crippled Edith von Kekesfalva, daughter of an Austrian pseudo nobleman. Invited for the first time to the Kekesfalvas' big country estate, naïve young Hofmiller, un aware that Edith's fur robe covers withered legs, asks her to dance. She bursts into sobs...

Author: /time Magazine | Title: Books: Modern Jinni | 3/27/1939 | See Source »

...went into self-imposed exile, but he never got out from under the shadow. On his travels he made friends with Stefan Zweig, Alfred Neumann, Franz Werfel, and wrote two first-class novels, Child of Our Time and The Age of the Fish. Last week the latter was published in English...

Author: /time Magazine | Title: Books: Cold Times Are Coming | 2/20/1939 | See Source »

Jeremiah (by Stefan Zweig; produced by The Theatre Guild). Biblical narratives have a way of being made into "plays" and coming out Biblical narratives. Jeremiah illustrates the jinx. When Zweig wrote it, as an Austrian pacifist in 1916, Jeremiah's thundering against Israel's war of conquest had tremendous timeliness. It might have tremendous usefulness today if it could be produced in Fascist countries. But simply as a play it is ponderous, labored, rhetorical. For the glow of Biblical diction it substitutes "Whither away?" and other pidgin Elizabethan. For the intensity of an ancient people, it substitutes stage...

Author: /time Magazine | Title: Show Business: New Plays in Manhattan: Feb. 13, 1939 | 2/13/1939 | See Source »

...their romance to be celebrated by a cinema like the one in which this ironic little conversation occurs, any sensible young Swede, no matter how well-mannered, would certainly have answered no. Hollywood's tumbrils began rumbling five years ago, when an MGM story reader reported that Stefan Zweig's Marie Antoinette was "thoroughly modern, thoroughly plausible and slightly censorable." The picture was listed on the late Irving Thalberg's last production schedule, with his wife in the title role. The French Revolution, MGM, Shearer & Power, Director W. S. Van Dyke...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 22, 1938 | 8/22/1938 | See Source »

Previous | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | Next